The vision has haunted him for four years--a young woman lying crumpled in death, her hand outstretched in silent supplication. Harry Bosch was taken off the Angella Benton murder case when the production assistant's death was linked with the violent theft of two million dollars from a movie set. Both files were never closed. Now retired from the L.A.P.D., Bosch is determined to find justice for Angella. Without a badge to open doors and strike fear into the guilty, he's on his own. And even in the face of an opponent more powerful and ruthless than any he's ever encountered, Bosch is not backing down.
While Michael Connelly says that he and Harry Bosch are very different, they do share one important characteristic: they are both jazz fans. "I listen exclusively to jazz when writing, because it is not as intrusive as music with lyrics and its improvisational nature is inspiring to me," says the author. "Invariably the music I am listening to ends up on Harry Bosch’s CD player. I think the music he listens to says a lot about him."
Background music while Harry Bosch contemplated a case.